A few months ago I received a yamadori Utah juniper from my time at the Hidden Gardens. It’s been growing well in the warm Southern California climate with new growth tips showing all over the foliage.
As a collected tree it’s abundant with character. A sizable hollow is found in the center of the trunk and natural shari lines are present along many branches. The extremely fine growth lines on the deadwood indicate a great age too.
For all the character this tree has there are still some flaws. As common with many yamadori this tree lacks good branch placement and structure. Most of the foliage sits on leggy branches leading the eye away from the key features of the trunk.
In order to compact the tree and give me more design options, I’ve decided to graft this tree. But rather than grafting the much finer shimpaku or itoigawa foliage I intend to graft the native Utah juniper foliage. The larger and coarse foliage will be slightly out of place on a smaller tree but in turn I’ll get to keep the beautiful icy-blue color which for me is one of the best features of the tree.
In February I will repot the tree to expose buried nebari and will begin approach grafting whips of foliage lower on the trunk.
I do not have a design envisioned for this tree yet but will upload a virt when I do.
I’ve been heading down to the Hidden Gardens often this past month. My work schedule at Argonne is pretty variable, so days I get off or get out early Jeff’s been letting me hang and help out at the nursery.
One of the projects I recently worked on was an American Hornbeam with massive dieback. In contrast to the coniferous yamadori found at the nursery Jeff started carrying collected deciduous material. Mainly American hornbeams, but red maples, lilacs, oaks, among others can be found.
Many of these trees have significant post collection dieback. On one end the dieback detracts from the value of the tree–the likelihood of creating a “seamless” trunk becomes increasingly difficult.
The same dieback however provides an opportunity to impart character and to impose a ruggedness characteristic of trees at the Hidden Gardens. Jeff gave me full reins to pick out a hornbeam to carve–so I did!
I have very little carving experience, but I did participate in one Will Baddeley workshop discussed here.
The tree I selected had a decent base with twin trunks–both of which significant dieback.
I neglected to take good before shots but there wasn’t too much to show. The bark was carefully stripped to separate the dead and live regions. The two trunks were crossing significantly so Jeff and I decided to cut the left one off. With minimal movement and little top growth on a mostly dead trunk the decision was easy.
I proceeded to shade the regions I wanted to carve out. When using high powered die grinders and dremels its easy to take out a chunk of tree you’ll never get back. Better to take it slow then to hog down big chunks of wood right off the bat.
After assessing the deadwood I began carving. First with the lower chopped trunk then with the top. A dremel was used both to establish a hollow and to add detail work. A die grinder was used on the top to remove excess wood.
The final height of the right trunk will actually be much lower (up to the sharpie) but I opted not to chop it back. Currently the narrow strip of cambium is solely supported by some top growth. Chopping lower risks dieback to the extent where deadwood will comprise more than half of the trunk. While deadwood has its place among deciduous trees it can easily become overpowering.
The trunk will be left alone with the intent of approaching grafting one of the suckers mid height onto the trunk. Until growth is established either through backbudding or grafting cutting back poses to great a risk.
The bottom carving turned out very well. The top, not as much. It was challenging creating a wide channel through the curved trunk. The same techniques I used to create detail work on the smaller lower trunk resulted in a contrived appearance on the top. The second mistake I made was not offsetting channels in the top enough. This meant you could see through the trunk at some angles. Fortunately this was not the case for the potential fronts.
I may try to clean up the top more in the future and put more depth in the “flatter” areas. For now we’ll see how the grows next season as its not particularly strong at the moment. Working on this tree was good practice and I’m certain my next carving project will be even better.
Big thanks to Jeff for letting me potentially butcher a tree. I just hope that my work increased the value of the tree instead of depreciating it. 😅
On a side note I’ll be heading up to the Midwest Bonsai Show possibly all 3 days! I offered Jeff to help table and prep for the show so I’ll be hitching a ride with him up to the botanical gardens. I’m trying to reach out to the bonsai community more and hope to meet many people there. I plan to document the show on my blog so stay tuned.
For your viewing pleasure here are some photos of a sunrise I recently photographed:
From the Southern California suburbs I found myself in the Midwest. Farms and all, but still within close proximity to the city and the outdoors. I’ve began an internship at Argonne National Lab, a great opportunity not only for my professional career but for me to network and meet new people.
I aspire to pursue bonsai professionally and I think a big component of that is getting to know the community. For my brief time here I hope I am able to meet as many Midwest enthusiasts as I can! I will try to attend both the Prairie State Show and the Midwest Show in August. I’m always up for a bike ride or a trip to the Hidden Gardens too.
On Monday I was able to meet the crew at the Hidden Gardens.
It was good talking to Jeff as well as meeting Kevin and Jennifer. Their nursery, in contrast to what we have in SoCal, has a TON of yamadori. Old rocky mountain junipers, ponderosas, and spruce occupied most of the benches. This season they also brought in a bunch of deciduous trees with massive hornbeams.
There were many impressive trees with tons of character. Here is a fir with a massive base:
RMJ with an twisting shari and live vein:
One of Jennifer’s trees? Some kind of spruce but the gnarly deadwood and trunk line made it one of my favorites:
I should of taken a picture of the entire tree but here’s a massive RMJ with a really nice trunk:
The high quality character and abundant foliage came with a price. Although not photographed that massive trunk is supported by two skinny strips of live vein. Imagine a body builder who never did squats. The challenge is to relocate the root mass closer to the trunk line so that the tree can be repotted in a more stable and aesthetic position.
I was talking to Jeff about an old Kimura video where he removes the dead wood, splits the live vein connecting to the root mass, and does some crazy bending to relocate it to a more desirable position. I thought that would be the best and possibly only option for this tree and Jeff was thinking the same thing.
The current root mass would need to be placed somewhere between the milk carton and the nursery can. Perhaps next year he’ll undertake the daunting task himself or enlist the help of some pros. Kimura himself would be the best 😀 .
I snapped a picture of Todd Schlafer working on an RMJ too.
All in all I enjoyed my time at the Hidden Gardens and the hospitality of the whole crew there. Given that I live only a few miles away I definitely plan visit again!
I’d love to buy an RMJ to send back home to SoCal (apparently they grow fine there) but shipping plants into California is a bit of a problem 😦 .
Well that’s it for now folks. If anyone is in the area feel free to message me. I’m open to meeting most any bonsai enthusiasts.
A few shots of the local trails and the secret real glen waterfall. Location courtesy of bnutter “CasAH.”